TASTE 11, come and get a taste of Italy

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Excellence of taste and of food lifestyle on show at the Stazione Leopolda in Florence from March 12th to 14th. Pitti TASTE is, in fact, the Italian exhibition of good eating and good living attended by both international gastronomists as well as by us passionate foodies.

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This year’s theme is the lively and colourful atmosphere of a country festival with its own modern greasy pole, l’albero della cuccagna. An enthralling and surprising itinerary will liven up the spaces in the Stazione Leopolda, the Alcatraz (which, from this edition, will be integrated into the Taste Tour route), and the brand new Teatro dell’Opera location, the forecourt and foyer of which, for the first time, will host Taste events and projects.

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Taste Tour is the tasting itinerary, featuring over 330 Italian food brands, with which visitors can become acquainted with and through which learn more about Italian food: a journey of discovery, traditions and innovations. Taste Tools is the area devoted to food and kitchen design items: kitchen equipment, clothing and more for both professional and amateur cooks. Taste shop is the store featuring on sale over 1,850 products, previously tasted during the tour.

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Many the events in programme such as the presentation of the book “Leonardo non era vegetariano” (Leonardo was not a vegetarian) published by Maschietto Editore in collaboration with the Museo Ideale Leonardo Da Vinci and Eataly, with a foreword by Oscar Farinetti and introduction by Davide Paolini, which will be held on Monday 14th March. The result of thirty years of research, the book examines Da Vinci’s relationship with the topics of food and cooking, and his alleged vegetarianism. Alongside historical texts, there are 15 new illustrated recipes, created by chef Enrico Panero, evoking the taste, creativity and genius of Da Vinci.

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The exhibition will be open from 9.30 am to 2.30 pm only for sector dealers, and from 2.30 pm to 7.30 pm to visitors. Cost of ticket as general public is 20 Euros, valid for one day only.

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Scoppio del Carro, exploding carts in Florence on Easter Sunday

01 Bell tower showered by fireworks
One of the oldest folk traditions in Florence is the “Explosion of the Cart”, Scoppio del Carro, which is held on every Easter Sunday. Its origins go back to the First Crusade when Pazzino de’ Pazzi, a member of the well-known Florentine family, was the first man to scale the walls of Jerusalem in 1099. For this act of bravery he was rewarded with three flints taken from the Church of the Holy Sepulchre, which were carried back to Tuscany and preserved in the Church of Santi Apostoli.

02 Scoppio del Carro

It became the practice to strike a “holy fire” from these flints during Eastertide, which was then carried throughout the city by groups of young men bearing torches. In time, the tradition evolved and a cart bearing a large candle was rolled through the city to the cathedral, from where the holy fire would be distributed. By the end of the 15th century, the Scoppio del Carro assumed its present form.

03 The white oxen with their floral garlands

In fact, today the tradition is to light a cart packed full of fireworks on the morning of Easter Sunday. The antique cart, in use indeed for over 500 years, is 9.1 m tall (30 feet) and is hauled by a team of white oxen from Porta al Prato to the Piazza del Duomo. The oxen are adorned with garlands of flowers and herbs and, together with the cart, are escorted by 150 people performing as soldiers, musicians, flag-wavers and noblemen and women, all in 15th-century costumes.

04 Scoppio del Carro

Meanwhile, a fire is struck using the historic flints from Jerusalem at the Church of Santi Apostoli. It is then carried in procession to the cathedral square. Here the cart awaits loaded with fireworks, while a wire stretches to the high altar inside the cathedral where a mechanical dove (the “colombina”) is fitted. The oxen have appropriately been unyoked. At the singing of the Gloria in excelsis Deo during Easter Mass, the cardinal of Florence lights a fuse in the “colombina” with the Easter fire. This then speeds through the church to ignite the cart outside. During all this time the bells of Giotto’s bell tower have been ringing out.

05 Scoppio del Carro

The complex fireworks display that follows lasts about 20 minutes and is accompanied by much crackling and whistling. If the “colombina” has successfully set the cart on fire and succeeded on the return trip to the altar then it is believed to be a good omen, guaranteeing Florence and all Florentines a good harvest, stable life and good business. For the record, the last time the “colombina” failed its “mission” was in 1966, and in November of that year Florence was struck by a disastrous flood.

06 Scoppio del Carro

The Scoppio del Carro is certainly one of Florence’s most popular and famous traditions, attracting a large international audience. Visiting Florence? Take a look at our large selection of accommodations in Florence’s town centre.

07 A detail of the cart

Pubblicato in Accommodations in Florence, Accommodations in Tuscany, Culture in Tuscany, Events in Florence, Florence, Folklore in Tuscany, Tuscan churches and cathedrals, Tuscan lifestyle, Tuscan towns and cities, Tuscany | Contrassegnato , , , , , , , | Lascia un commento

From Kandinsky to Pollock, the Art of the Guggenheim Collections

01 From Kandinsky to Pollock at Palazzo Strozzi
From March 19th to July 24th Palazzo Strozzi in Florence is hosting the major exhibition “From Kandinsky to Pollock. The Art of the Guggenheim Collections”. Over one hundred masterpieces from the 1920s to the 1960s to reconstruct the relationship and ties between Europe and America through the lives of two leading collectors, Peggy and Solomon Guggenheim, who played such a key role in 20th century art.

02 Vasily Kandinsky, White Cross, 1922, oil on canvas

The exhibition will offer visitors the opportunity to compare between the fundamental works of European masters of modern art such as Marcel Duchamp, Max Ernst, Man Ray, Pablo Picasso, and the so-called ‘Unformed’ Europeans like Alberto Burri, Emilio Vedova, Jean Dubuffet, Lucio Fontana with American artists such as Jackson Pollock, Alexander Calder, Roy Lichtenstein and Mark Rothko. Here is the story of the Neo-Avant-Garde movements which were born after World War II.

03 Jackson Pollock, Circumcision, 1946, oil on canvas

This exceptional display also wishes to celebrate a special tie that goes back many years, when in February 1949 Peggy Guggenheim decided to show precisely in Palazzo Strozzi the collection that was later to find a permanent home in Venice.

04 Emilio Vedova, Hostage City, 1954, india ink, tempera, sand and enamel on paper

On display paintings, sculptures, engravings and photographs from the Guggenheim collections in New York and Venice and other leading international museums. Full price ticket costs 12 Euros. Opening hours daily from 10 am to 8 pm, except on Thursdays from 10 am to 11 pm.

05 Alexander Calder, Le Grand Passage, 1974, tempera and India ink on paper

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The last Medici, the Electress Palatine who saved Florence’s art

01 Electress Anna  Maria Luisa de' Medici by Jan Frans van Douven
Anna Maria Luisa de’ Medici was the only daughter of Cosimo III de’ Medici, Grand Duke of Tuscany, and Marguerite Louise d’Orléans, a niece of Louis XIII of France. Born in Palazzo Pitti, Florence on the 11th August 1667, she later married Elector Johann Wilhelm II in 1691, thus becoming Electress Palatine. As Electress Palatine she encouraged an artistic exchange between Florence and Düsseldorf: works by Raphael, Andrea del Sarto, Domenichino and Federico Barocci were sent to the German city, while the Medici collections were enriched by Dutch and Flemish paintings.

03 Villa la Quiete, Florence, Anna Maria Luisa's residence during her brother's reign

After the death of her husband, in 1717, Anna Maria Luisa returned to Florence where she also survived her brother, Gian Gastone de’ Medici, the last Grand Duke, who was childless like his sister. After declining a nominal regency, the Electress Palatine willed all the personal property of the Medici’s to the Tuscan state, which included the large art collection, the contents of all the Medicean villas, the Uffizi and Palazzo Pitti as well as her Palatine treasures. The only condition was that nothing should ever be removed from Florence: “paintings, statues, libraries, jewels and other precious objects” were to remain “as ornament of the State, for Public utility and to attract the curiosity of Foreigners”. In this she also proved to be a Patron of tourism.

02 Cappelle Medicee

The Medici Princess passed away on February 18th 1743. Today Florence celebrates its last Medici on this date with a pageant leading from the Guelfa Palace to the Medici Chapels where flowers are laid on her tomb.

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Vernio, tradition and polenta

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Hidden on the hills of southern Prato is the commune of Vernio, a series of small hamlets, each with its own name, that overlook the Bisenzio river. Of Roman origin, the fief of Vernio was inherited by the Counts Alberti of Prato during the 12th century. The following century it was sold to the Bardi family, an influential Florentine family that started the powerful banking company, the Compagnia dei Bardi.

02 Bardi coat of arms on Palazzo Bardi, Florence

In the 14th century the Bardis lent Edward III of England 900,000 gold florins, a debt which he failed to repay along with 600,000 florins borrowed from the Peruzzi family, leading to the collapse of both families’ banks. During the 15th century the Bardi family continued to operate in various European centres, playing a notable role in financing some of the early voyages of discovery to America including those by Christopher Columbus and John Cabot.

01 Società della Miseria

Unfortunately for Vernio, bordering in the north with the Papal States, it was an area of brigandage and for this the hamlets suffered raids and looting on behalf of foreign armies. Renowned is the Spanish invasion of 1512, which caused a severe famine due to which the Counts Bardi distributed to the population worn-out by hunger chestnut flour, dried cod and herrings.

04 Chestnut polenta

Hence was born the “Società della Miseria”, the Misery Society, which every year commemorates this event with historical re-enactments and dishes of chestnut polenta, dried cod and herrings. Today known as the “Festa della Polenta”, it was once held on Ash Wednesday but recently has been moved to the first Sunday of Lent.

05 Chestnut polenta

Certainly a return to tradition.

Pubblicato in Culture in Tuscany, Events around Prato, Festivals and feasts in Tuscany, Folklore in Tuscany, Prato, Tuscan food and wine, Tuscan traditions, Tuscany | Contrassegnato , , , , , | Lascia un commento