Colle Val d’Elsa’s Renaissance – Il Rinascimento di Colle

This coming weekend, June 23rd & 24th, Colle Val d’Elsa, near Siena, plunges back into its history and hosts the second edition of Il Rinascimento di Colle, a huge open air show that will last from 5pm to midnight. As the reader can infer from the title, the two days are dedicated to the reenactment of the Renaissance period. The picturesque setting of this event will be held in the upper part of town, with its well preserved medieval centre and the Castle.

This year’s theme is “Merry Celebrations and Games on the Via Francigena” and the main goal is precisely to continue to entertain and amuse visitors with buskers, musicians, jesters, jugglers, storytellers, fights and travelling shows, with a special eye, and space, for children. To complete the historical reenactment there will also be a military garrison, artisans, antique shops and markets and taverns set up in the squares where one can taste the typical products of Tuscan tradition. To breathe the Renaissance atmosphere it will suffice to walk around town where it will be easy to meet many walk-ons dressed in period costumes.

Active protagonists of these two days are the various associations of Colle Val d’Elsa, committed to revive the age old period crafts and markets, to set up taverns where one can taste traditional recipes and to liven up the town with many shows with the help of professionals. A great show under the open sky, therefore,  that will turn into ‘protagonist’ whoever will want to participate and discover the upper town of Colle Val d’Elsa and its local history, having fun and in good company.

Il Rinascimento di Colle is not a mere historical reenactment but also an opportunity to introduce the territory of Colle and its artistic, cultural and gastronomic heritage as well as its products of excellence: crystal. Colle Val d’Elsa, in fact, produces 95% of the Italian production and 15% of the world one. At the Castle, the oldest part of Colle, it will be possible, during the 23rd and 24th of June, to assist at its processing, both hot and cold.

The town can be accessed through the ancient, monumental Porta Nova and following a long, winding street visitors will find a series of elegant  16th and 17th century noble houses, such as Palazzo Usimbardi, Palazzo Buoninsegni and the Town Hall, to finally reach the magnificent Palazzo Campana which marks the entrance to the Castle. Suddenly the atmosphere changes, the streets are narrow and paved, the superb noble houses are now of the 15th and 16th century, such as Palazzo Luci, Palazzo Morozzi, Palazzo Giusti and Palazzo Dini, and interspersed with enthralling tower-houses, among which the most famous is la Casa-Torre di Arnolfo di Cambio, birthplace of the famous sculpture and architect.

Also worth a visit are the Civic and Religious Art Museum, on the first floor of the beautiful town hall, and the incredible Crystal Museum down in the new part of town know as the Plain, whose structure was built incorporating the chimney of a former glass company. The exhibition illustrates the history of glass production, from its origins in the 14th century, with some medieval findings, to the factory plants of the 19th century, with the production of optical and dichroic glass, the invention of a new system of producing objects by half casts, the experiments in 1963 on making lead glass, up to today’s modern design objects.

Certainly worth a visit. Here is one of our lovely accommodations in Colle Val d’Elsa. For more info just contact us through www.tuscanyholidayrent.com.

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Mrs Ciccone at the Uffizi, Florence: a real Madonna lifestyle verging on the profane

After the great show at the Florence stadium on Saturday the 16th June 2012,  welcomed by a huge crowd,  Madonna  visited the Uffizi on  the following day,  thus fulfilling  her  wish to visit the  museum.  A Sunday devoted to art. The Uffizi have been deliberately opened for her  at about 7 pm. She was let inside,  together with her team from a secondary door in Via della Ninna, in  the vain effort to escape from her fans or in the successful attempt to increase the mysterious halo of any  Madonna.

In fact,  immediately recognized  by her customarily provocative  black attire,  completed by a pair of  crucifixes adorning her  hat  and necklace she  was cheered by fans. The museum “Sopraintendente”,  Cristina Acidini chaperoned  the star inside the rooms where  a museum guide introduced her to the  history of the Medicis and their connections between art and political power.  Like a  good student,  she enquired about  the singular relationship between the sacred and profane inside  the  cultural background  of the time.  Cleverly deep questions. Was she perceiving a sort of similarities  with her own lifestyle in a such apparently incompatible mixture of these two  elements?  An unexpected interest towards the Renaissance  Neoplatonism and its ability to mingle with religion. Everybody could have noticed her particular interest in Philosophy and Morals while watching  the great masters ranging from Duccio,  Giotto, Lippi, Michelangelo and mostly ” La Primavera” by Botticelli.

Sculpture  visibly touched her too. Then a  more worldly note,  a cocktail on top of  the Loggia dei Lanzi,  in front of one of the most stunning backdrops in the world. Celebrity versus celebrity. The Florence landscape  paying its homage to Madonna or viceversa? Later a new plunge into culture,  the Corridoio Vasariano up to Boboli Gardens. Here,  the queen of the pop  let her  to be immortalized in front of the Buontalenti Grotto and in the terrace above the Rondò di Bacco. But time is money,  so  back again to the black vans waiting for  Madonna and the sacred group. A fast drive  downtown. The show had to go on after the cultural  parenthesis. The star system was planning the shooting of  a  Florentine video clip with Madonna  singing “ Turn up the radio” from her last album Mdna. The original location, Fiesole in the immediate Florence surrounding was at last replaced.  Also Madonna was  replaced by a double. She might be the same poor imitation  who appeared on the stage before the beginning of the concert for the light testing.

As a real star she appeared to the bare essentials.

Did she have to keep faithful to her mystic image like a real Madonna?

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Pisa lights up for San Ranieri

Luminara 02

By tradition every 16th June the Lungarni, the avenues along the river Arno, of Pisa are floodlit at night by the Luminara di San Ranieri. The first historical document attesting the tradition of the Luminara goes back to 1337. More than 70 thousand nightlights illuminate the town’s houses, the bridges, the churches and the towers overlooking the river Arno while a firework display colours its waters. Stalls and small parties are distributed in and around the historic centre

As by tradition the Pisans celebrate their patron saint, San Ranieri – Saint Rainerius – on the 17th June. The previous evening thousands of wax candles are set in glasses and fixed on white wooden frames, in jargon “linen”, biancheria, and placed on buildings and monuments, outlining their architectural forms. The only exception to this unique scenario is the Leaning Tower, which is equally illuminated archaically by pans of oil, also placed on the battlements of the city walls surrounding the Square of Miracles.

Special candles are used, especially manufactured to resist wind and produce a particularly bright flame. For many years Pisa used glass beakers. Since 1999 for security reasons these have been replaced by special coned-shaped glasses of transparent plastic, easily set in the metal rings of the frames, la biancheria.

Once set alight, and all the public and private illumination is shutdown, the effect of multitudes of twinkling lights on the water of the River Arno, together with the floating candles entrusted to the current,  offer visitors a unique splendour with an antique flavour. The evening concludes with a series of firework displays at midnight performed from the Cittadella and the nearby bridge, and, in recent years, from the other bridges of town.

The celebrations in honour of the patron Saint continue the following day in the waters of the River Arno, where Pisa celebrates its Regatta of San Ranieri. Four boats, drawing inspiration from the frigates of the Medici order of the Knights of Saint Stephen, compete to win the Palio di San Ranieri. The first traces of this palio date back to the 13th century, when chronicles cite an event held in the year 1292 in celebration of the Assumption. Only from 1718 was the palio disputed on the 17th June to celebrate the patron Saint, San Ranieri.

There is one boat for each historic quarter: Santa Maria, San Francesco, San Martino and Sant’Antonio. Their galleys are respectively called ‘the Azure’, ‘ the Yellow’, ‘the Red’ and ‘the Green’. Each crew consists of eight rowers, a helmsman and a bowman. At the finishing line, the latter have to climb up ropes to the top of a ten meter mast, mounted on a barge in the middle of the river, and reach the banner of victory with the same colour of his quarter. The last one to reach it wins a couple of ducks.

Another good oppor-tunity to plan a visit to one of the most famous towns in the world. For accommodations in Pisa come visit www.tuscanyholidayrent.com.

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A new Leonardo is coming next to Palazzo Vecchio, Florence?

An intriguing detective story about the Bella Principessa, a chalk-and- ink portrait, which according to some scholars could be attributed to Leonardo da Vinci. The mayor of Florence,  Mr Matteo Renzi, would like to arrange it an exhibition next year, welcoming the young lady to Palazzo Vecchio,  just as her noble status requires.  A silent  possible dialogue between the two Leonardos in case of the expected discovery of the Battaglia di Anghiari, behind a wall in the Sala dei Cinquecento, in Palazzo Vecchio?

Just these days a new book has been published by Martin Kemp, a renown Emeritus Professor of art history at Oxford University and by Pascal Cotte,  founder of the Paris Lumiere  Technology. The main character of the story, apart from Leonardo, of course, is a Canadian collector, Peter Silverman,  who  promptly bought the portrait under discussion in an art gallery,  just after a glance.  A shivering excitement. What struck him immediately was the Bella Principessa’s hairstyle and shape of her dress sleeves,  recalling directly Leonardo’s “La Dame à l’Hermine” as to profile and  sweetness.

Might the painting date back to Renaissance?  Was Peter  Silverman one of the many Leonardo loonies? Many researches revealed that the young lady was Bianca Sforza, an illegitimate daughter of the duke of Milan,  married in 1496 to Galeazzo Sanseverino, commander of the Milanese troops and patron of Leonardo.  Bianca was about 13 years old at the time of the portrait. She was to die from an ectopic pregnancy. The dates coincide. The wellum on which it was painted  was carbon-dated  and it actually could be attributed to the period ranging between the first half of the 15th century and the seventeenth one. Besides, the portrait’s attire and the bound hair were fashionable in  Milan late fifteenth century court.  At that time Leonardo used to live there. The stitch marks of the painting’s edge  found an answer after a  research voyage of Kemp and Cotte  in Varsaw National Library.

They  found in its collection the “Sforziades”, celebrative volumes for Bianca Sforza’s marriage. In one of them a Leonardo’s portrait was missing. Thence the painting’s stitch marks on the edge.  It was a removed folio. La Bella Principessa was one off portrait, originally belonging to the books.  However, the painting is still controversial. Some scholars are certain about its authenticity because of the way the hair is bunched beneath the strings, the distinctive left hand strokes just like Leonardo’s and  the  pensive expression, so much revealing Leonardo’s characters’ motion of mind.  Others,  more skeptical,  hardly think that Bianca Sforza’s portrait will hang in  a museum as a true Leonardo.

Who knows?

Just time will be able to disclose the truth .

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La Notte Nera di San Miniato – The Black Night of San Miniato

Saturday, June 16th, starting at 6.30 pm, the Pisan town of San Miniato is introducing its new event, “The Black Night“. The absolute protagonist of this Black Night will be the celebrated black truffle, typical tuber of this season, located in fact on the hills of San Miniato from June to September.

The truffle dealers of San Miniato and the Truffle Sellers Association will make a fine show of this precious tuber whilst bars and restaurants will offer aperitifs and menus with black truffle. Along with the truffles also typical dishes of San Miniato. Even the Winegrowers Association of San Miniato will be present offering wine tastings as well as the local food producers of Mercatale of San Miniato with a special edition of the market in Piazza del Popolo.

Not only food and wine will animate the night. On the stage in Piazza del Popolo music and cooking shows will take turns. Along the streets the travelling show “Urban Scenes. A Look at the City. A City Look” cured by the Territorio Teatro. At the famous butcher’s Falaschi the Sir Rhanda will perform in concert,  accompanied by the performance of sculptor Elena Salvadorini who will make plaster casts of face parts of people picked from the public. Furthermore the shops will be open and there will be a special edition of the antiques market in Piazza del Seminario.

San Miniato with this initiative enhances its role as gourmet cuisine salon and tourism destination as well as finally offering visitors an event for every type of truffle that the territory of the San Miniato hills offers. This event, in fact, goes along side with the March event of the March truffle, il tartufo Marzuolo, and those in October and November dedicated to the white truffle.

For those interested in visiting this beautiful part of the Pisan countryside and savour the local products we suggest this lovely B&B in San Miniato.

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